Skip to main content

The context you need, when you need it

When news breaks, you need to understand what actually matters — and what to do about it. At Vox, our mission to help you make sense of the world has never been more vital. But we can’t do it on our own.

We rely on readers like you to fund our journalism. Will you support our work and become a Vox Member today?

Join now

Jon Stewart’s Daily Show interviews weren’t great. Ask Jennifer Lawrence.

Alex Abad-Santos
Alex Abad-Santos is a senior correspondent who explains what society obsesses over, from Marvel and movies to fitness and skin care. He came to Vox in 2014. Prior to that, he worked at The Atlantic.

Jon Stewart’s Daily Show has been filled with memorable moments. The moments of Zen, the segments, the monologues, the breaks in character — it’s hard to separate all of these moments from how Stewart handled them.

The show’s interviews, for better or worse, are the same way.

Stewart has a style that makes interviews feel more like friends hanging out, instead of a platform for actors and guests to talk about their latest projects, movies, and books. That can be great (the better friends Stewart is with someone, the more entertaining the interviews are), but sometimes these segments can feel skippable.

In an 2013 interview to promote The Hunger Games: Catching Fire, which would go on to be the highest-grossing movie that year, Jennifer Lawrence called him on it — Stewart tried to skirt around talking about the film, instead talking about her haircut and how she looks like Helen Mirren.

“I don’t prepare for these things very well,” Stewart admitted to her.

“That’s actually what your producers and everyone involved in the show tell everyone,” Lawrence said (in a kind way). “They’re like, ‘He’s not really gonna know a lot about the movie or a lot about you.’”

And in typical Stewart (and Lawrence) style, the exchange is totally endearing.

See More:

More in Movies

Culture
The Devil Wears Prada 2 is capitalist art that hates capitalist artThe Devil Wears Prada 2 is capitalist art that hates capitalist art
Culture

The millennial fairy tale takes aim at corporate greed and the death of creativity. But it largely exists because of them.

By Alex Abad-Santos
Culture
The sad, ugly debate behind the new Michael Jackson biopicThe sad, ugly debate behind the new Michael Jackson biopic
Culture

The controversy pits two disenfranchised groups against each other.

By Constance Grady
Culture
The Oscar was never really Timothée Chalamet’s to begin withThe Oscar was never really Timothée Chalamet’s to begin with
Culture

Why the actor’s Oscars defeat to Michael B. Jordan makes total sense.

By Kyndall Cunningham
Culture
Sinners never needed the Oscars to be greatSinners never needed the Oscars to be great
Culture

The movie was treated like it was crashing the very party it nabbed a historic number of invites to.

By Alex Abad-Santos
Podcasts
The man behind the Paramount-Warner Bros. mergerThe man behind the Paramount-Warner Bros. merger
Podcast
Podcasts

Is David Ellison Hollywood’s nepo baby king?

By Avishay Artsy and Sean Rameswaram
Culture
The 50-year struggle to get Best Casting into the OscarsThe 50-year struggle to get Best Casting into the Oscars
Culture

It’s one of the few female-dominated niches in Hollywood. They finally made it to the Academy Awards.

By Constance Grady