Skip to main content

The context you need, when you need it

When news breaks, you need to understand what actually matters — and what to do about it. At Vox, our mission to help you make sense of the world has never been more vital. But we can’t do it on our own.

We rely on readers like you to fund our journalism. Will you support our work and become a Vox Member today?

Join now

No One’s Looking at Your Native Ads, Either

Uh oh.

Ton Lammerts / Shutterstock
Peter Kafka
Peter Kafka covered media and technology, and their intersection, at Vox. Many of his stories can be found in his Kafka on Media newsletter, and he also hosts the Recode Media podcast.

Advertisers love the idea of “native ads” — marketing messages that sort of look like “real” content — because they think that Web surfers who ignore other ads will pay attention to the new format.*

This sounds interesting in theory, but less convincing when you actually look at the stuff native advertisers are creating, which often resembles lousy versions of “real” content — stiffly written advertorials that no one except the person who paid for it would ever willingly look at.

And, sure enough, very few people are looking at this stuff. Or, more precisely: People who look at this stuff can’t wait to stop reading it.

So says Chartbeat, a Web traffic analytics used by lots of big publishers (Re/code has a Chartbeat account, too). Writing for Time.com, Chartbeat CEO Tony Haile says that while 71 percent of surfers will stick with a “real” article for more than 15 seconds**, that number drops to 24 percent for native ad stuff.

“What this suggests is that brands are paying for — and publishers are driving traffic to — content that does not capture the attention of its visitors or achieve the goals of its creators,” Haile deadpans.

Uh oh! Haile makes sure to qualify his statement by pointing out people who are doing a good job with native ads (I’m sure that any native ads you see at Re/code will be excellent, too!). But the reason publishers love native ads is that advertisers are willing to pay a premium for them, even as the prices for conventional Web ads keep shrinking.

I’ve always thought that the native ad lifeline was less strong than Web publishers have hoped for, chiefly because they seem impossible to make work at scale. While lots of people will tell you otherwise, it sure seems hard to make a “native” ad for more than one website, because then they’re not really “native,” right?

But if advertisers conclude that Haile is right, then the scale issues won’t matter to advertisers — they’ll just conclude that native ads aren’t worth their time, period. Which will leave Web publishers scrambling for the next big thing.

* Which is really a really old format, but whatever — no time for history when you’re on the bleeding edge, man.

** Yes, that’s right, 15 seconds. That’s a long time on the bleeding edge, man.

This article originally appeared on Recode.net.

More in Technology

Future Perfect
The 5 most unhinged revelations from Elon Musk’s lawsuit against OpenAIThe 5 most unhinged revelations from Elon Musk’s lawsuit against OpenAI
Future Perfect

The Musk v. OpenAI trial is over. Here are the receipts.

By Sara Herschander
Podcasts
Are humanoid robots all hype?Are humanoid robots all hype?
Podcast
Podcasts

AI is making them better — but they’re not going to be doing your chores anytime soon.

By Avishay Artsy and Sean Rameswaram
Future Perfect
The old tech that could help stop the next airborne pandemicThe old tech that could help stop the next airborne pandemic
Future Perfect

Glycol vapors, explained.

By Shayna Korol
Future Perfect
Elon Musk could lose his case against OpenAI — and still get what he wantsElon Musk could lose his case against OpenAI — and still get what he wants
Future Perfect

It’s not about who wins. It’s about the dirty laundry you air along the way.

By Sara Herschander
Life
Why banning kids from AI isn’t the answerWhy banning kids from AI isn’t the answer
Life

What kids really need in the age of artificial intelligence.

By Anna North
Culture
Anthropic owes authors $1.5B for pirating work — but the claims process is a Kafkaesque messAnthropic owes authors $1.5B for pirating work — but the claims process is a Kafkaesque mess
Culture

“Your AI monster ate all our work. Now you’re trying to pay us off with this piece of garbage that doesn’t work.”

By Constance Grady