Skip to main content

The context you need, when you need it

When news breaks, you need to understand what actually matters — and what to do about it. At Vox, our mission to help you make sense of the world has never been more vital. But we can’t do it on our own.

We rely on readers like you to fund our journalism. Will you support our work and become a Vox Member today?

Join now

Shonda Rhimes: “It’s not trailblazing to write the world as it actually is”

Shonda Rhimes at the PGAs.
Shonda Rhimes at the PGAs.
Shonda Rhimes at the PGAs.
Kevin Winter/Getty Images
Alex Abad-Santos
Alex Abad-Santos is a senior correspondent who explains what society obsesses over, from Marvel and movies to fitness and skin care. He came to Vox in 2014. Prior to that, he worked at The Atlantic.

Shonda Rhimes doesn’t see herself as a game changer. But everyone else does.

On Saturday, she won the Norman Lear Award for Achievement in Television at the 2016 Producers Guild Awards. It’s a well-deserved recognition for Rhimes, who has become one of the industry’s most influential and well-respected showrunners and producers. Her series are such big hits that ABC has basically devoted its Thursday-night lineup to them.

Those series — namely the Rhimes-created Scandal and Grey’s Anatomy and the Rhimes-produced How to Get Away With Murder — have been lauded for how representative they are. Their casts are diverse. Their female characters are well-rounded. Their people of color are more than just smart scientists, sassy friends, and/or steamy lovers.

And because television has been lacking when it comes to representing these groups, Rhimes has been labeled a pioneer of sorts.

“It’s not trailblazing to write the world as it actually is,” Rhimes said during her PGA acceptance speech. “Women are smart and strong. They are not sex toys or damsels in distress. People of color are not sassy or dangerous or wise. And, believe me, people of color are never anybody’s sidekick in real life.”

Rhimes went on to lament television’s lag in breaking women and nonwhite people out of their stereotypical roles, and speculated on a cause:

First of all, strong women and three-dimensional people of color is something Norman [Lear] was doing 40-something years ago. So how come it has to be done all over again? What are we waiting for? I mean, I know this is a room full of producers, so probably you’re waiting for money.

Lear is known for producing the ‘70s sitcoms All in the Family, The Jeffersons, and Maude — groundbreaking television for their time. And it’s fitting that Rhimes won an award that remembers his legacy.

“I created what I know is normal,” Rhimes said. “So basically, you are just giving me an award for being me, in which case I totally deserve it.”

See More:

More in Culture

Podcasts
Could you spot an AI-written book?Could you spot an AI-written book?
Podcast
Podcasts

An author set up an experiment to find out.

By Amina Al-Sadi and Noel King
Life
What is an aging face supposed to look like?What is an aging face supposed to look like?
Life

When bodies and appearances are malleable, what does that mean for the person underneath?

By Allie Volpe
Video
What would J.R.R. Tolkien think of Palantir?What would J.R.R. Tolkien think of Palantir?
Play
Video

How The Lord of the Rings lore helps explain the mysterious tech company.

By Benjamin Stephen
Climate
The climate crisis is coming for your groceriesThe climate crisis is coming for your groceries
Climate

Extreme heat is already wiping out soy, coffee, berries, and Christmas trees. Farm animals and humans are suffering too.

By Ayurella Horn-Muller
Future Perfect
The surprisingly strong case for feeling great about your coffee habitThe surprisingly strong case for feeling great about your coffee habit
Future Perfect

Your morning coffee is one of modern life’s underrated miracles.

By Bryan Walsh
Good Medicine
Do health influencers actually know what they’re talking about?Do health influencers actually know what they’re talking about?
Good Medicine

Most health influencers don’t have real credentials — but they are more influential than ever.

By Dylan Scott